Agent Skills: Genre Analysis (Film) Skill

Analyze and apply film/TV genre conventions, tropes, and audience expectations

UncategorizedID: a5c-ai/babysitter/genre-analysis-film

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Skill Metadata

Name
genre-analysis-film
Description
Analyze and apply film/TV genre conventions, tropes, and audience expectations

Genre Analysis (Film) Skill

Purpose

Understand and apply genre conventions to meet audience expectations while finding fresh approaches. Genres are contracts with viewers—knowing the rules lets you fulfill or subvert them effectively.

Major Genres

Action

Core Elements:

  • Physical conflict as resolution
  • Clear hero vs. villain
  • Stakes are life/death
  • Spectacle and set pieces

Conventions:

  • Opening action hook
  • Training/preparation sequence
  • Escalating confrontations
  • Climactic battle
  • Hero's moment of doubt

Subgenres: Martial arts, war, spy, disaster, superhero

Comedy

Core Elements:

  • Humor as primary emotion
  • Characters in absurd situations
  • Social commentary through laughter
  • Happy or ironic ending

Conventions:

  • Setup and payoff
  • Rule of threes
  • Fish out of water
  • Escalating complications
  • Comedic timing

Subgenres: Romantic comedy, dark comedy, satire, parody, slapstick

Drama

Core Elements:

  • Character-driven conflict
  • Emotional truth
  • Realistic stakes
  • Internal transformation

Conventions:

  • Slow burn development
  • Subtext-heavy dialogue
  • Moral complexity
  • Ambiguous endings acceptable

Subgenres: Family drama, legal, medical, political, historical

Horror

Core Elements:

  • Fear as primary emotion
  • Threat to survival
  • Darkness (literal/metaphorical)
  • Violation of safety

Conventions:

  • Opening kill/scare
  • Investigation/discovery
  • Rules of the threat
  • False scares
  • Climactic confrontation
  • Final girl/survivor
  • Ambiguous ending (is it really over?)

Subgenres: Slasher, supernatural, psychological, body horror, found footage

Thriller

Core Elements:

  • Suspense and tension
  • Protagonist in danger
  • Cat and mouse dynamics
  • High stakes

Conventions:

  • Mystery/puzzle element
  • Ticking clock
  • Plot twists
  • Unreliable elements
  • Confrontation with antagonist

Subgenres: Psychological, crime, spy, legal, tech

Science Fiction

Core Elements:

  • Speculative premise
  • "What if?" exploration
  • Technology or science central
  • Commentary on humanity

Conventions:

  • World-building
  • Exposition challenges
  • Visual spectacle
  • Philosophical questions
  • Rules of the world

Subgenres: Space opera, cyberpunk, dystopia, time travel, hard sci-fi

Fantasy

Core Elements:

  • Magical/supernatural elements
  • Mythic storytelling
  • Good vs. evil
  • Hero's journey

Conventions:

  • World-building heavy
  • Chosen one narrative
  • Quest structure
  • Magical system rules
  • Mentor figure

Subgenres: Epic, urban, dark, fairy tale, historical

Romance

Core Elements:

  • Central love story
  • Emotional journey
  • Obstacles to love
  • Satisfying resolution

Conventions:

  • Meet-cute
  • Initial antagonism or misunderstanding
  • Growing attraction
  • Dark moment/separation
  • Declaration and reunion

Subgenres: Romantic comedy, romantic drama, period romance

Genre Expectations

Audience Contract

| Genre | Viewer Expects | |-------|----------------| | Action | Excitement, spectacle, clear victory | | Comedy | Laughter, happy ending, release | | Drama | Emotional catharsis, truth | | Horror | Fear, dread, survival | | Thriller | Tension, surprise, resolution | | Sci-Fi | Ideas, wonder, speculation | | Romance | Love, emotion, satisfaction |

Tone Markers

Action: High energy, clear morality, physical Comedy: Light, irreverent, self-aware Drama: Serious, nuanced, grounded Horror: Dread, unease, violation Thriller: Tense, paranoid, uncertain Sci-Fi: Intellectual, expansive, questioning Romance: Warm, emotional, hopeful

Genre Blending

Successful Hybrids

| Hybrid | Example | Balance | |--------|---------|---------| | Action-Comedy | Guardians of the Galaxy | 60/40 action/comedy | | Horror-Comedy | Shaun of the Dead | Alternating tones | | Sci-Fi/Horror | Alien | Sci-fi setting, horror structure | | Drama-Thriller | Prisoners | Drama depth, thriller tension | | Romance-Comedy | When Harry Met Sally | Equal measure |

Blending Rules

  1. One genre should be primary
  2. Tonal shifts need management
  3. Core audience expectations must be met
  4. Genre tropes should complement

Subverting Expectations

Effective Subversion

  • Know the rules before breaking them
  • Subvert with purpose
  • Maintain core emotional promise
  • Replace expectation with something better

Examples

  • Scream: Horror that's self-aware of horror rules
  • The Cabin in the Woods: Meta-commentary on horror
  • 500 Days of Summer: Anti-romantic comedy
  • No Country for Old Men: Western without resolution

Genre Analysis Template

## Genre Analysis: [PROJECT]

### Primary Genre
[Genre name]

### Subgenre(s)
[If applicable]

### Core Audience
[Who watches this genre]

### Expected Elements
- [Element 1]
- [Element 2]
- [Element 3]

### How This Project Fulfills Expectations
- [How we meet expectation 1]
- [How we meet expectation 2]

### How This Project Subverts/Freshens
- [Fresh take 1]
- [Fresh take 2]

### Tone Approach
[How we handle tone]

### Comparable Titles
- [Comp 1] - because [reason]
- [Comp 2] - because [reason]
- [Comp 3] - because [reason]

Genre Checklist

  • [ ] Primary genre identified
  • [ ] Core conventions understood
  • [ ] Audience expectations mapped
  • [ ] Key tropes identified
  • [ ] Fresh angle articulated
  • [ ] Tone approach defined
  • [ ] Comparable titles listed
  • [ ] Subversion is purposeful
  • [ ] Emotional promise maintained

Genre by Format

Feature Film

  • Clearer genre identity
  • Complete arc in one viewing
  • Higher production values expected

TV Series

  • Genre blending more common
  • Character development over time
  • Episodic vs. serialized affects genre use

Limited Series

  • Novelistic approach
  • Genre can evolve
  • More complexity allowed

Short Film

  • Concentrate on one genre element
  • Subversion more acceptable
  • Experimental audience